Archive for the ‘musicalness’ Category

Growth

Monday, September 6th, 2010

Where does true musical growth come from? This is a question that has been in my life for so long and in so many different contexts. Does it come from writing music in as many different arenas as are available to you and then several more? Does it come from listening to as many different kinds of music as are available to you and then several more? Is it about practicing your instrument 800 hours a day and then several more? Is it about starting at the right age (for you)? Is it about having music around you as a child? Is it about being in touch with yourself on a deep level so that you can have access to the emotions that are the root of your individual expression?

The answer is simple.

Yes.

Hooks

Wednesday, August 11th, 2010

What makes a great hook? Is it the melody? The phrasing of the words within that melody? The words themselves? All three? Something completely different? I’d like to know so that I can become a gazillionaire.

I have recently noticed that common and unnoticed phrases like “now that you’re gone” or “put it down” or “are you there” are all great hook material. These don’t even really count as phrases. They are just things we all say sometimes. As I have become aware of this, I have become increasingly aware that we all use hooks all the time. Why then are we not all gazillionaires?

Come hear some sa-weet hooks on Thursday, August 12th at Kenny’s Castaways.

Damn You, JM

Thursday, July 15th, 2010

Damn you, John Mayer. It’s bad enough that you are a killer guitar player. It’s bad enough that you are a kick ass singer (now that you have stopped breathing like an asthmatic). It’s over-the-top bad enough that you are a wicked lyricist who writes AMAZING songs with incredible music that somehow manages to remain cool and accessible without giving up the dignity that most pop music bails on. It’s bad enough that you are turning into a killer producer.

So why, then do you have to do the nast with Jennifer Aniston, Jessica Simpson and particularly Jennifer Love-Hewett? Isn’t that just adding insult to injury?

Well, John Mayer (if that really is your name) TWO people can play at that game. This month is officially “do things as well as John Mayer” month and I plan to do JUST THAT!

But I am not gonna have sex with any of those babes. Mostly because I am married but a little bit because those babes all beg me just a little too hard and a little too often. It makes them seem pathetic and I can’t enable that kind of thing.

Space

Thursday, July 1st, 2010

I am going through several life changes. First of all, I am having a kid. That’s kinda major. Secondly, I am getting in shape. That’s fun and hard and good. Third, I am realizing that there are a lot of things I want to change about my music.

I want to find the fun in the music. Sometimes it’s so freakin’ heavy. We need to get some fun and even some funny in there.

Also, I want to bring in some of the soul that I get when I am playing alone / singing melodies to myself or improvising. It’s easy to let that soul disappear in the writing / producing process.

Mostly, I want to find the space in the music. I think our arrangements are really cool but when I listen back, I hear so much sound. There is so much going on. Things need to chill out a bit and open up.

SOOOOOOOOOOOOOOO….coming up will be some songs that are fun, soulful and open.

Hopefully.

JT vs. CK

Wednesday, June 23rd, 2010

I recently saw the James Taylor / Carole King concert. I posted on facebook that I think JT kicked CK’s ass. Sorry CK, I am just being honest. As Rachel Dart said, watching Carole King was like watching Mom-Rock. JT is still awesome. In fact, his voice is better than ever, his song writing is better than ever and his band is amazing. Carole King was just kind of…eh. She sounds great at times and has one or two really good songs. And maybe there is no need to compare but when you watch the two of them together, it’s pretty hard not to. She is mediocre and he is amazing. He’s a Philly Cheese Steak and she’s a grilled cheese made at a lame diner…with soggy fries and out of tune cole slaw.

Mean? I hope not. Just honest. I still am glad they are both out there rockin’. Speaking of that, come watch The Hillary Step rock on 6/24 at 8pm at Local 269.

More cowbell – er… woodblock!

Friday, February 19th, 2010

One of the (many) fun things of playing in a New York City band is that you get to be in a lot of different rehearsal studios. woodblock That’s great, because we don’t plan our rehearsal very far ahead, and with so many places all over town we can almost always find a place, even last-minute.

And another fun thing about it is that – as a drummer – you get to play on so many different drum kits. There’s an element of frustration to that, too – I always end up spending at least 15 minutes each rehearsal moving around toms, adjusting hardware, and changing the ‘resident’ cymbals for my own. And for some reason the cheap and beat-up kits always sound great and the $3,000-plus kits always sound crap (which goes to show that investing in an expensive kit means nothing if you don’t know your Drum Tuning 101).

But recently, in one of those studios with a bad-sounding expensive kit, there was this treasure chest of percussive delight – rainmakers, shakers, claves, cowbells… and an ugly green cheap plastic LP woodblock. I went "hmm", attached the little green woodblock to my hi-hat stand, and without telling the other guys just started using it.

So Rob was like "is that a little woodblock action going on there?" and I was like "yeah" and he was like "killer". So the woodblock sound had found a fan base and it was decided I should get one.

The next day I went to the music store and tested every woodblock and cowbell they had in search of the best sound. I tried all the red, blue, black, stainless steel, and actual wooden stuff they had, in every possible price range; even considered getting an electronic pad with programmable percussive sounds; almost ended up with an overpriced matte-black block because it looked so cool and was endorsed by one of my favorite drummers; and in the meantime my girlfriend patiently followed me around the store while the store clerks started to throw me increasingly annoyed looks and every other customer flinched at the sound of me whacking on the next piece of metal or plastic or wood.

I ended up buying an ugly green cheap plastic LP woodblock.

Shaker Spaz

Wednesday, February 3rd, 2010

Are you a shaker spaz? If you have experienced any of the following, you may be.

1) You can dance and rock to the beat and yet, when you have a shaker in your hand, you just can’t keep the rhythm.
2) You have stood in front of a microphone trying to record a 16 measure shaker part and, by measure 12, you are shaking to something that is definitely not the beat of the song you are recording.
3) You have watched all your friends/band mates shake the shaker and make it look simple, but then when you try it, you become way too aware of what you are doing and are thus unable to exhibit any kind of soulful shaking.

If, after reading this, you now feel you may be a shaker spaz, fret not. Many have been where you are. There is still hope. The one and only way to cure shaker spaznocity is the following:

Keep shake-a-laking.

For some sa-weet shaking, come check out The Hillary Step live at Arlene’s Grocery (95 Stanton St. btw. Orchard / Ludlow) this Friday night, Feb 5th, at 8pm.