Posts Tagged ‘lyrics’

Hooks

Wednesday, August 11th, 2010

What makes a great hook? Is it the melody? The phrasing of the words within that melody? The words themselves? All three? Something completely different? I’d like to know so that I can become a gazillionaire.

I have recently noticed that common and unnoticed phrases like “now that you’re gone” or “put it down” or “are you there” are all great hook material. These don’t even really count as phrases. They are just things we all say sometimes. As I have become aware of this, I have become increasingly aware that we all use hooks all the time. Why then are we not all gazillionaires?

Come hear some sa-weet hooks on Thursday, August 12th at Kenny’s Castaways.

“Sausage & Peppers…A Different Kind of Heavy Song”

Tuesday, February 16th, 2010

I often feel like all my songs need to be about deep and moving elements of my life. I rarely let myself write about some small little pleasure in my life. It feels strange to write a song about the fact that I dig watching “24″ and “Survivor”. I would feel odd writing a song about the awesome Chipotle app that I got for my new iPhone. So today I am going to cross that barrier by writing this little ditty.

“Sausage & Peppers” (to a very major key jaunty tune)

Yummy yummy sausage in a nice warm piece of bread
Peppers in my mouth and joy in my head
Sausage Pepper sandwich, please never go away
You are different but you are as good as PBJ.

Yummy yummy sausage sits alone on my plate
I really should eat it after the PM known as 8
But down into my tummy you will simply slide
Sausage pepper sandwich, will you be my sandwich bride?

Oh, sausage pepper sandwich.
Oh, how I love you so
Oh, sausage pepper sandiwch
There are tears in my eyes
You are just the perfect size
And they also give you fries!

Yummy yummy sausage from the little place next door
You can be my sandwich pimp and I, your sandwich whore
You are the stuff of legends that will forever be told
Oh sausage pepper sandwich…you are even awesome cold

Connecting to a song

Saturday, August 15th, 2009

Hey everyone….Rob here.

So I’m wandering around the city yesterday and this little melody creeps into my head. I get on the train and start humming it (quietly) to myself and slowly lyrics take shape. I end up with something like…”The best I can do is say I’m sorry, the most I can hope is that you’re willing to try, the worst I can think is that you’re already saying goodbye”. Nice little words, catchy melody…all good stuff. Don’t steal it. Here’s the thin: everything is fine between me and my wife. Life is good. I am not in some argument where apology and concern is necessary. So, this begs the question…where did these lyrics come from? Maybe it’s just the sound of the melody that suggested those initial sounds of the first line, which in turn suggested the repeated hook of best, worst, most. However, there is an even bigger question here: what if I write this whole song and flesh it out and it never quite gets connected back to something I feel but still remains in the abstract? Does this lack of connection to the writer come through to the listener? Is that a remove that can be felt?

I pose this question to you our friends / fans: to what level does the writer have to feel an emotional connection to his/her lyrics in order for the listener to get something from the song?